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Literature Text
His uncle stepped away, and slowly sighed
“Gawain,” he said, “I don’t know what to say—
You tell me that you wish that you had died,
That fear of death has led you to betray
Your honor and the oaths you once had sworn—“
He paused, and looked down where his nephew stayed
Head bent over his hands—a ring adorned
In gold, and cut with Orkney’s royal seal
Lay there before him, sunlit-streaked and warm
Upon the wooden table. Arthur kneeled
Beside his silent nephew, took the ring
And said, “Gawain, you tell me that you feel
As if you failed yourself, and me, your king
But that cannot be true, for you are here
Alive. You said you told me everything:
The reason for your quest—how you so feared
My death, that you would rather die instead
And yet, as with each day your death drew near,
You shied away from such an end. You said
You walked through empty woods, and forded streams,
And wandered on long, lonely paths that led
Beyond our earthly world, to stranger dreams.
Then you came back—with such apologies!
My nephew, I must say this failure seems
To me, less failure than a victory
For see, you are alive—you have returned
How can this be defeat? It cannot be.”
But Gawain shook his head, and sharply turned
Away from where his uncle’s gentle eyes
Beseeched him take forgiveness back, un-earned.
So Arthur stood. He said, “My nephew, rise:
I tell you that your honor is not less
Perhaps not more; but then, your honor lies
So far beyond the ken of all the rest—
Indeed, you took a task that none else dared
Although it seemed a doomed and feckless quest.
You proved that, at the last, you truly cared
For life more than for honor formed from games;
Myself, I am just glad that you were spared
And do not know who could, faced with the same,
Choose otherwise. Gawain, you must believe
In this there is no censure, nor no blame.
But still Gawain was silent—and Arthur grieved.
“Gawain,” he said, “I don’t know what to say—
You tell me that you wish that you had died,
That fear of death has led you to betray
Your honor and the oaths you once had sworn—“
He paused, and looked down where his nephew stayed
Head bent over his hands—a ring adorned
In gold, and cut with Orkney’s royal seal
Lay there before him, sunlit-streaked and warm
Upon the wooden table. Arthur kneeled
Beside his silent nephew, took the ring
And said, “Gawain, you tell me that you feel
As if you failed yourself, and me, your king
But that cannot be true, for you are here
Alive. You said you told me everything:
The reason for your quest—how you so feared
My death, that you would rather die instead
And yet, as with each day your death drew near,
You shied away from such an end. You said
You walked through empty woods, and forded streams,
And wandered on long, lonely paths that led
Beyond our earthly world, to stranger dreams.
Then you came back—with such apologies!
My nephew, I must say this failure seems
To me, less failure than a victory
For see, you are alive—you have returned
How can this be defeat? It cannot be.”
But Gawain shook his head, and sharply turned
Away from where his uncle’s gentle eyes
Beseeched him take forgiveness back, un-earned.
So Arthur stood. He said, “My nephew, rise:
I tell you that your honor is not less
Perhaps not more; but then, your honor lies
So far beyond the ken of all the rest—
Indeed, you took a task that none else dared
Although it seemed a doomed and feckless quest.
You proved that, at the last, you truly cared
For life more than for honor formed from games;
Myself, I am just glad that you were spared
And do not know who could, faced with the same,
Choose otherwise. Gawain, you must believe
In this there is no censure, nor no blame.
But still Gawain was silent—and Arthur grieved.
Literature
Longing Desire
I long for the moment
when the sea kisses the air
when time slows down
and everything is right
I long for the world
where the depths stay below
where time is not wasted
as dreams come to light
I long for the girl
who is so far away
who is free like the air
unbound by the tide
I long for the horizon
where the sea meets the sky
where I can be with her
as our fates unite
I long for the day
when our dreams can come true
when our longing can cease
and our love can take flight
Literature
Story's End
It was easier to bleed than to write. It was easier to stare back at the beast which watched him bleed out, which waited with frothing mouth and glistening teeth. It was easier to succumb to the crimson stare. Nonetheless, he picked up the pen. His words mingled with his blood, his words were blood, a crimson warning and threnody. His tears came hot and heavy. They sizzled on the dungeon’s stone. In the writing, his wounds stitched together. The spilled blood hissed and ignited. His words became fire, his pen a blazing sword. Now the beast recoiled from him.
Literature
California
My father was San Francisco and my mother, the Pacific;
at five I was in love with nine-lane highways, the scent of
eucalyptus pressed between my fingers, yellow parchment
hills crumpled up under the eye of the sun. If I had a sunset
to myself I would curl up on a park bench like the hippies do,
and eavesdrop on the sea lions’ bedtime conversations.
Alcatraz never quite unbarred me and yet I have found
freedom in hills steep as my shoulders; I know that I am
beautiful even in the rain because I have kissed the smoke
of Berkeley and tasted her on my teeth. I was born to
dangle my legs over Golden Gate Bridge and of course,
of
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So we're skipping a section of my long poem, the Defense of Gawain. I may cut it permanently, or I may just need to edit it a bit more. But I thought I might as well post section IV while I do so!
Let me know how you like it, especially if you've read the other two parts. I'm especially interested in any thoughts on how Arthur comes across, especially in contrast to Gareth (our speaker of the first part) or the court (our speaker of the second). The last section, of course, will be titled "The Queen."
The other parts are: I. Gareth and II. Camelot.
Thanks again!
Let me know how you like it, especially if you've read the other two parts. I'm especially interested in any thoughts on how Arthur comes across, especially in contrast to Gareth (our speaker of the first part) or the court (our speaker of the second). The last section, of course, will be titled "The Queen."
The other parts are: I. Gareth and II. Camelot.
Thanks again!
© 2015 - 2024 williamszm
Comments2
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I don't see the next part in your gallery... Did you ever finish it? I'd really love to read the rest!